Episode Study – Person of Interest “If-Then-Else” – Using Set Design, Blocking, and Cinematography to Underscore Themes
Person of Interest‘s “If-Then-Else” is often considered one of the best episodes of the series (and I’ll argue, easily one of the best network episodes the last decade). The writing is clever and tight, playing with form and plot and time, bringing to bear character traits painfully established and romantic pairings long in the making, … Continue reading
Divide and Conquer
I’ve wanted to stay away from the C word on this blog, at least outside of practical on-set situations and discussion of how it has impacted storytelling on various shows – SUPERSTORE incorporating masks in their blue-collar cast of characters, LEGENDS OF TOMORROW creating cast bubbles and so writing fewer overlapping ventures, KEVIN CAN F**K … Continue reading
Back in The Setlife Again
After a year of being forced to sit on our hands (metaphorically, but also I tried it literally because turns out forced isolation + meditation is hard?), we in the creative space are able to get back to what we love. Despite many of us making a resolution to slowly submerge ourselves rather than fly … Continue reading
Live, Write, Repeat – on EDGE OF TOMORROW’s lead connundrum
If Edge of Tomorrow had come a decade or two earlier – say between The Colour of Money and Jerry Maguire and the first Mission: Impossible or two – Cruise may’ve been able to show other facets. But through a series of personal life and project selection choices, Cruise has created a Movie Persona who overshadows, informs, and essentially rewrites all character aspects which may be on the page.
DOLLHOUSE and the Unconventional Pilot
Joss Whedon’s / Eliza Dushku’s Dollhouse had a lot going for and against it. Whedon had some blank checks to cash, Dushku had a deal with FOX, the premise was fascinating, and one actor playing multiple roles week to week is always a juicy prospect. Whether because of marketing, timing, direct competition in an era … Continue reading
Pilot Season: ATLANTA
Donald Glover’s Atlanta is unique in many ways: it plays with style, tone, and ancient mythology while still staying mostly grounded in reality; it evokes a hyper-specific place* but with characters you could imagine living in most US cities; it hits a dark notes most US half-hours won’t come near; it clearly utilises Glover’s experience … Continue reading
On the Unique Joys and Upcoming Trials & Tribulations of Saint Ted Lasso
Like the buoyancy of its titular character, the exact vibe of Ted Lasso is hard to pin down. It’s a family comedy with sex and swears, a deceptively simple drama about people trying real hard, dotted with very American jokes and thoroughly English sensibilities. It’s the weird characters and team-microcosm-within-a-specific-organisation-within-a-specific-town of Parks … Continue reading
Inside the Fast Turnarounds and Wild Stories of Live-Shoot K-Dramas
The more k-dramas I watch, the more impressive it is to know how the sausage is made. Part of the fun in movies and TV is studying how they write and shoot; in the case of k-dramas, some are fully pre-produced, but the ones which aren’t are usually still shooting the middle episodes when the … Continue reading
Looking Good for Cheap: Directing Marvel’s Agent Carter
While Marvel is tearing up the big screen, DC – in form of the Arrowverse and an assorted hit-or-wide-miss offering every season or so – owns the small screen, with two major exceptions: Agents of S.H.I.E.L.D. and Agent Carter. The former has several seasons and loosely connects to the films, and for my money the … Continue reading
Person of Interest: Analysis of a Silent Scene
I’ve been rewatching Person of Interest this year. While after its original run I was prepared to call it one of the best network shows of the decade . . . now I’m quite confident it’s full-stop one of the best TV shows of the Aughts. Does it have a rough start? Does it often … Continue reading
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