Glitch: Pilot

This is the first in a series of pilot analysis, where I review how the pilot works as such. Eventually if there’s enough interest I may pick up a whole series. First up is Glitch. A good pilot establishes; that’s almost its only job. It establishes the main story, the setting, characters, the look and … Continue reading

The 100: Season 03, Episode 01, Wanheda Part 1

Starting the episode off exactly where it left of in S2, and with Murphy – whose story was mostly ancillary the last couple seasons and whose ending was not really crucial to any plots so far – felt like quite the bold move. Murphy putting the gun to his chin immediately followed by something life-saving … Continue reading

Shot Details and Framing in Wentworth

Wentworth is an Australian prison drama, actually a remake of the show Prisoner. It’s dark and tense and manages some nice plot turns, it’s got a very teal and gray palette but breaks it up with reds and greens, it’s well acted, it uses slo-mo and occasional fantasy sequences to great effect. But you should discover that for yourself. I’m here to just talk about some details in the framing of shots.

Movie Review: The Fifth Estate

a version of this review first appeared here. Much has been said about the movie’s mishandling of actual events, and those reviews are fascinating to be sure. Most of us, however, forgive that to one extent or another if a ‘based on true events’ biopic is remotely interesting, well shot, anything. The Fifth Estate is … Continue reading

Movie Review: Inch’Allah

On my list of movies to watch I mentioned several female filmmakers whose work I’m interested in. One is Anaïs Barbeau-Lavalette. This review of her film starts a loose series on Women In and Making Film.  A shorter version of this review appeared on Letterboxd here. This film easily could have been a cliched tale about a … Continue reading

An Alternate List of Films to Watch

Recently I saw yet another list of Movies For Aspiring Moviemakers To Watch from a notable director. One whole movie was co-directed by a woman. There weren’t many with a woman as a central character, either.  I’m not pushing for female directing and/or starring inclusion simply because of chromosomes. I’m pushing for it because women … Continue reading

Why Grit Is Now A Substitute for Glorious

While I’d love it to flesh out what makes some dark movies great cinema and others not, and how a movie can have it both ways – Casino Royale, anyone? – the points this article makes are good. What I want to focus on is this: What bothers me more is the critical attitude that reads a film … Continue reading

Lost Girl: Season 1 Wrap Up, A Brief Look Forward

I’m wrapping up the Season 1 recaps with a season overview, as I will for S2 and S3, but first a note: Season 4 will be premiering in November. Simple math shows there aren’t enough Mondays between now and then to catch up on all the episodes between here and where I started recapping. My … Continue reading

Party Down: ‘Sin Say Shun Awards Afterparty’ and the ethics of sex business

If you’ve not seen this series, it’s worth at least two watches; one for humor, one for pathos. Each episode is self-contained, titled after the event the party down crew is working, and spanning only the event. Characters don’t develop much between episodes; their changes, if any, are signified by the car they drive to … Continue reading

Bryan Fuller’s Hannibal – In Context of His Other Shows About Life & Death

Bryan Fuller has a new show, Hannibal, on NBC. At first – getting a feel for the show via the promos, then seeing his name – it struck me as odd. The more I think about it, it’s a logical progression of his work, when it has to fit within the fairly narrow framework of … Continue reading