Glitch: Pilot

This is the first in a series of pilot analysis, where I review how the pilot works as such. Eventually if there’s enough interest I may pick up a whole series. First up is Glitch. A good pilot establishes; that’s almost its only job. It establishes the main story, the setting, characters, the look and … Continue reading

Title Sequence: Elementary

Elementary‘s title sequence presents us with a Rube Goldberg machine, something both straightforward and convoluted. Like the show itself, the sequence is not all chronological with clear cause-and-effect, but it includes pieces we’re familiar with: mouse wheel, rising bell, pulleys; procedural tropes, situational lying, criminal types, a figure trapped in a cage, etc. The machine includes potential elements of … Continue reading

The Wrong Mans: Structure, Storytelling, and Trope Usage in Episode 1

Dale and I wrote a long thing about The Wrong Mans and how it does all sorts of things really well. You can read the whole thing at TVquila by clicking here, but here’s an excerpt to whet your appetite.  Warning: The first episode of The Wrong Mans doesn’t deliver anything particularly new. It doesn’t even do anything … Continue reading

Shot Details and Framing in Wentworth

Wentworth is an Australian prison drama, actually a remake of the show Prisoner. It’s dark and tense and manages some nice plot turns, it’s got a very teal and gray palette but breaks it up with reds and greens, it’s well acted, it uses slo-mo and occasional fantasy sequences to great effect. But you should discover that for yourself. I’m here to just talk about some details in the framing of shots.

Movie Review: The Art of the Steal

my initial thoughts, which form the basis for this review, originally appeared here. As an exposition of theft and corruption, a civics lesson, and a demonstration of  how non-profits and governments and individuals and institutions conspire to take and govern art, The Art of the Steal is necessary and intriguing. It’s obviously angry over injustice, and thus … Continue reading

Music Video: Pitch Perfect’s “Since You Been Gone”

Start with the fact this is generally an average-to-well edited movie. During the big dance numbers, we get plenty of closeups and glimpses of each character, especially when a character is starting to sing. Still, the overall action is always well-established enough so when it pulls back to a wide/master shot, the viewer is not … Continue reading