A Tale of Two Trailers

Checking Focus -credit David Stluka www.davidstluka.com

Though movies and TV are almost all widescreen nowdays, movies were often more ‘box’ sized in the 30s. When deciding on the look and feel of The Lilith Necklace, I chose to shoot for 4:3, as this would closely approximate the size of 35mm film prints and – theoretically – give the audience an immediate sense … Continue reading