Colour in DRIVE and IL CONFORMISTA

Drive and Il Conformista ‘s use of colours make for great comparison and contrast symbolically, emotionally, and technically. First: Refn is colourblind, which impacts his work in a preference for heavy colour saturation. Second: because of its time, Il Conformista required everything from on-set lighting to colour timing to be planned far more thoroughly in … Continue reading

Movie Review: Drive

My Rating: 3.5 stars (out of 4) Spoilers: minor We have a noir (or as Wikipedia redundantly labels it, a “neo noir crime thriller film”), set in modern day, with a character who is not named, carefully crafted aesthetic/lighting style, and multiple levels of symbolism. It’s almost a checklist of components of this movie. I’m set up to … Continue reading