Looking Good for Cheap: Directing Marvel’s Agent Carter

While Marvel is tearing up the big screen, DC – in form of the Arrowverse and an assorted hit-or-wide-miss offering every season or so – owns the small screen, with two major exceptions: Agents of S.H.I.E.L.D. and Agent Carter. The former has several seasons and loosely connects to the films, and for my money the … Continue reading

Ocean’s 12 – Expectations and Editing, Cliches and Conventions

The way Ocean’s 12 reverses your typical Gather The Team montage, and specifically Ocean’s 11‘s version, by having Andy Garcia track down all our original scallywags to threaten and extort them into the movie’s heists. None of this is ‘new’ or ‘fresh,’ it’s a setup we’ve seen a hundred times. We’re watching to see how … Continue reading

Colour in DRIVE and IL CONFORMISTA

Drive and Il Conformista ‘s use of colours make for great comparison and contrast symbolically, emotionally, and technically. First: Refn is colourblind, which impacts his work in a preference for heavy colour saturation. Second: because of its time, Il Conformista required everything from on-set lighting to colour timing to be planned far more thoroughly in … Continue reading